Christopher Anderson| Artistic Director, Alberta Ballet


Each year, as we prepare The Nutcracker, we think of our youngest audience members.

We begin imagining their reactions right from our earliest rehearsals in August. It’s why so much of this show is crafted to launch the holiday season with wonder and delight.

The Edmonton Symphony Orchestra drives the adventure forward with Tchaikovsky’s powerful score. And on stage, performers of all ages make up our cast. Our cast this year includes 88 dance students from 20 local schools in the roles of mice, party children and soldiers. Please give them a warm welcome. Even on a stage as big as the Jubilee, their energy and enthusiasm fill the space. 

We’re also debuting new elements this year. I’d like to thank Edmund Stripe, who set a new vision for the dances in Act 2. Also thank you to the talented teams behind the new costumes: Timberlake Studios, Lisa Logan, Audrey Lee and Alberta Ballet's Wardrobe Team.  

This tradition is a treasured community event. Thank you to everyone who helps bring this work to the stage: our production teams, musicians, rehearsal directors and parent volunteers!  

We know this season is steeped in tradition, and that families have many options for their celebrations.

Thank you for choosing to include Alberta Ballet
as part of your holiday plans

Edmund Stripe| Choreographer


Greetings, and welcome to The Nutcracker 2022.

We are very excited this year as we bring to you our revised and updated version of The Nutcracker. 

It was decided several months ago that a revision of Act 2 was in order, in particular the national dances that celebrate Klara and the Nutcracker’s victory over the Rat Tsar. This is part of our commitment to see The Nutcracker evolve in a way that understands, sees and resonates for everyone in our audiences. Ballet companies around the world are making similar changes to their own Nutcracker productions. 

For inspiration and collaboration, I looked to the students and staff at Alberta Ballet School. Alberta Ballet School is a little-known amenity. Many Albertans are unaware that this professional training program attracts junior and senior high school students from around the world.  

Their perspectives included diverse ethnic and cultural backgrounds and I looked to engage them in the energy and emotion of Act 2’s score. After listening to the music, students and faculty were asked to choose from a list of confections and identify which sweet or spice best represented what they had just heard.  

After the votes were counted, we saw that the clear favourites were Marzipan, Caramel, Peppermint and Popcorn. 

Before we knew it, it was August 2022. Sketches of the new costumes had been finalized and the construction was about to begin. In the studio, I was working with the dancers to develop the choreography.  

We also revisited the famous Waltz of the Flowers. Make a note to watch for the new character in this piece, Christmas Rose!  

These results are the first major changes to the production since its premiere in 2009. I look forward to sharing this new creative vision with you!  

Wishing all a peaceful and happy holiday season!  

PROLOGUE

The Nutcracker first debuted at the Mariinsky Theatre in St. Petersburg in 1892. While the original piece by Marius Petipa was not an instant hit, Tchaikovsky’s score spread throughout the ballet community, and choreographers jumped at the challenge of creating their own version. Alberta Ballet has presented Edmund Stripe’s version since 2008, performing in the Jubilee Auditoria for Alberta audiences and also touring it across Canada.

ACT I

It is Christmas Eve and the Vishinsky family is welcoming guests to a party at their home. Their children, Klara and Nikolai, play ‘Blind Man’s Bluff’ with the other young guests at the party. The game ends with Klara catching Nikolai. Presents are distributed and Klara and Nikolai lead the children in a boisterous dance.

The parents, in turn, dance a courtly quadrille.

Suddenly, there is an interruption. It is the arrival of Drosselmeyer, Klara’s godfather. He has arrived at the party with tricks and mechanical dolls to entertain the guests. His dolls perform an elaborate play, telling the story of a man who once made a mousetrap that was so successful that it enraged the Rat Tsar. The Rat Tsar took revenge on the man by turning his nephew into a hideous nutcracker. The only way to break the spell was to find someone who would love the nutcracker, not for what he looked like, but for what he was.

In the play, the young soldier, who is changed into a nutcracker, is helped by a young ballerina who falls in love with him. She defeats the toy Rat Tsar by hitting him on the head with her slipper.

After the play, Drosselmeyer invites Klara to dance with him, mysteriously presenting her with a nutcracker of her own. Nikolai accidentally breaks the nutcracker, but Klara soon forgives him. Drosselmeyer fixes the nutcracker, and Klara and the girls play with their dolls, despite some interruption by the boys and a somewhat overexcited grandfather.

Grandfather and Babushka are invited to dance, the parents and children joining in the fun. The party ends and the guests depart, the parents taking their weary children with them. Drosselmeyer also appears to leave the party. Klara looks around searching frantically for her nutcracker. But it is nowhere to be seen and Babushka packs Nikolai and Klara off to bed.

Later that night, Klara returns downstairs to the parlour to search for her nutcracker. The town hall clock strikes midnight and at once she is surrounded by a hoard of mice.

Suddenly, Drosselmeyer appears and sends the mice to sleep. He explains to Klara that it was actually he who was being portrayed in the play earlier that evening and it was he who had built the mousetrap that had angered the Rat Tsar. The Rat Tsar, in revenge, had transformed his nephew, Karl, into a nutcracker, the very nutcracker that Klara was now holding!

With Klara’s promise to love the nutcracker, Drosselmeyer employs his magic, causing the room to grow and themselves to shrink. The nutcracker now reappears, life-size to the now tiny Klara and Drosselmeyer. An army of soldiers stream out of the fort to engage in a battle with the cossack rats that have gathered on the other side of the parlour. With the nutcracker leading the soldiers, a fierce battle ensues and eventually the Rat Tsar himself appears. With his powerful magic, he attempts to attack Drosselmeyer, but the nutcracker intervenes to save his uncle.

Klara remembers the play that Drosselmeyer had presented in the parlour that evening and how the ballerina defeated the Rat Tsar by hitting him on the head with her shoe. She strikes the Rat Tsar on the head, distracting him long enough for the nutcracker to attack him with his own sceptre.

The Rat Tsar is mortally wounded and the nutcracker collapses in pain at the feet of Klara and Drosselmeyer. Drosselmeyer realizes that his plans, and his magic, are still not enough to transform his nephew. Klara and Drosselmeyer sense that their surroundings are changing and as Klara seeks help, she encounters wolves that she thinks are there to devour her precious nutcracker.

However, the wolves are the attendants of the Snow Tsarina who appears in her sleigh. She instructs Drosselmeyer to stand the nutcracker up and with a wave of her hand, casts a spell that transforms the nutcracker back into Karl. It takes a moment or two for Karl to realize that he is human again. Once he does, he embraces Drosselmeyer and Klara, and thanks the Snow Tsarina for her life-restoring spell.

The Snow Tsarina summons her Snow Princesses and as Klara and Karl frolic in the snow, she guides them towards a mysterious palace far away in the distance.

ACT II

The Snow Tsarina leads the sleigh to the gates of the Palace of the Sugar Plum Fairy. There, they are greeted by the Palace Pages and are introduced to the Sugar Plum Fairy and her Cavalier.

The celebration continues with dances from the Palace’s confectionary delights: Marzipan Caramel, Peppermint, and Popcorn.

Klara and Karl dance and are then entertained by the Palace Pages and the Waltz of the Flowers, led by Christmas Rose. The Sugar Plum Fairy and her Cavalier conclude the celebrations with a Grand Pas de Deux and a rousing finale.

EPILOGUE

Very early the next morning, Klara answers a knock at the front door. It is Drosselmeyer. He bids her good morning and, from under his cape, produces a nutcracker. A young man, who seems strangely familiar to Klara enters, and as he and Drosselmeyer depart together, Klara begins to wonder whether it was all a dream after all.

Nutcracker Libretto

Nutcracker Artistic Team

YEE-HANG YAM
Stage Manager

KEN JAMES STEWART
Stage Manager

ANDREA GINTER
Alberta Ballet Lead Physiotherapist -
Momentum Health

COMPANY TEACHERS
Shino Mori
Aram Manukyan 
Nicole Caron
Alexandra Gibson
Jennifer Gibson
Yoshiya Sakurai

COMPANY PIANISTS
Juanita Faas
Marina Fedorov
Michael Levin
Mary Martell

DESIGN/PRODUCTION OF NEW COSTUMES (ACT 2)
Timberlake Studios
Lisa Logan

Alberta Ballet Dancers

Casting

Subject to Change

Alberta Ballet Nightly Casting

Alberta Ballet Dancers Supported by

Alberta Ballet Apprentices Supported By

To learn more about Alberta Ballet’s Flex Packs, please visit our website.

The Magic of Dance

Know a child inspired by the magic of dance? Alberta Ballet School’s classes and programs are a perfect way for kids to explore movement and musicality while building confidence in a safe, and positive studio environment.

 Give the Gift of Dance | New classes start in January

albertaballetschool.com

Your Gift is Needed

Did you know that Alberta Ballet relies on multiple income streams to bring these incredible performances to the stage?

Donations are at the very heart of our funding. As a registered charity, Alberta Ballet relies on donations to bridge the shortfall to perform in the Jubilee, create new works and attract the best talent. As stewards of a rarified art form, we face a delicate balance, and ticket prices only get us part of the way there. Donations make it possible for us to deliver the art you love. ​

Conceived during the pandemic, Alberta Ballet created an Endowment Fund to provide more financial stability in the years to come. When our goal of $15 million is reached, the Endowment Fund will start providing consistent, predictable disbursements that will help us bring seasons like this one to life. It will also help Alberta Ballet be a haven for Albertans to connect with each other and themselves whether they are deeply moved in our audience, taking their first step into a community dance class, or pursuing their craft through professional dance training.  

Dance has the power to unite communities and transform lives through inspiration. Please consider making a one-time or recurring donation today.  

To make a donation to the Forever Moved campaign or to learn more about the Endowment Fund, please visit our website.

ALBERTA BALLET DONORS 2022/23

Thank you to our donors!

Over these many uncertain months, we’ve been grateful to our donor community for all the ways they’ve supported our mission to share dance and ballet.

As we return to the Jubilee with a full season, we’re looking forward to reconnecting this community to the art form they find so deeply inspirational.

If you are a passionate Alberta Ballet patron, consider joining our donor community.

To find out more, visit our website or email us at donate@albertaballet.com.

A whole community works behind-the-scenes,
helping us inspire you with dance!

2022/23 GOVERNMENT FUNDERS
AND COMMUNITY PARTNERS

 BOARD OF DIRECTORS

Feature Image by Paul McGrath with Luna Sasaki and Artists of Alberta Ballet