A Message from the Artistic Director
FRANCESCO VENTRIGLIA | Artistic Director
A Warm Welcome to Dance Theatre of Harlem
It’s a thrill to welcome you to Alberta Ballet for this special occasion—an evening with Dance Theatre of Harlem. For over 56 years, this extraordinary company has been redefining ballet, proving that this art form belongs to everyone. We’re honoured to have them on our stage.
Founded in 1969 by Arthur Mitchell and Karel Shook, Dance Theatre of Harlem was created to make ballet more inclusive, opening doors for dancers who had been historically underrepresented in the art form. Today, under the leadership of Artistic Director Robert Garland, they continue to push boundaries, sharing a bold vision for ballet in the 21st century. Their influence extends far beyond the stage, serving as an inspiration for ballet companies around the world to embrace greater diversity and innovation.
The company of 18 members brings to life a dynamic mix of classical and contemporary works, from treasured classics to innovative new pieces. Garland’s choreography, influenced by the neoclassical style of George Balanchine, adds a fresh perspective to their repertoire. Each performance is a testament to the power of dance to inspire, connect, and uplift.
Tonight’s program highlights what makes Dance Theatre of Harlem so special—their artistry, their history, and their commitment to making ballet more accessible to all. We are so proud to welcome them and hope you enjoy this remarkable experience.
FRANCESCO VENTRIGLIA
ARTISTIC DIRECTOR
Programme & Casting
NYMAN STRING QUARTET NO. 2
(World Premiere March 1, 2019, Eisenhower Hall, West Point, NY)
CHOREOGRAPHY: Robert Garland
MUSIC: Michael Nyman
COSTUME DESIGN & EXECUTION: Pamela Allen-Cummings
LIGHTING DESIGN: Roma Flowers
Intermission
TAKE ME WITH YOU
(DTH Premiere February 9, 2024)
CHOREOGRAPHY: Robert Bondara
LIGHTING & COSTUME DESIGN: Robert Bondara
‘The catchy percussion beat of the Radiohead song “Reckoner” became the first trigger and source of inspiration for movement language and choreography. Getting deeper into the creative process and vague lyrics of the song in a very personal way, the content of the choreography got closer to reflection about our existence, our efforts to grasp the meaning of life despite “bittersweet distractors”. What is essential for the piece is metaphysical experience, an elusive atmosphere determining relations between the dancers on the stage.’ Robert Bondara
This duet was created in 2016 for Polish National Ballet soloists Yuka Ebihara and Kristof Szabo. Take Me With You was later performed by many leading dancers, including Roberto Bolle and Melissa Hamilton among others, and in theatres across the globe and on Polish, Czech and Italian TV. In 2021, Robert created a larger one act ballet that includes this duet for Poznan Opera Ballet and in 2022 was staged by West Australian Ballet.
Reckoner by Radiohead. Thom Yorke, songwriter, vocals. Jonny Greenwood, songwriter, guitar. Colin Greenwood, songwriter, bass. Philip Selway, songwriter, drums.
Music by arrangement with Warner/Chappell Music, Inc.
Pause
PAS DE DIX
CHOREOGRAPHY: George Balanchine, ©The George Balanchine Trust
MUSIC: Alexander Glazunov
LIGHTING: Recreated by Andrea Sala
COSTUME DESIGN: Pamela Allen-Cummings
REPETITEUR: Kyra Nichols
"The performance of Pas de Dix, a Balanchine® Ballet, is presented by arrangement with The George Balanchine Trust and has been produced in accordance with the Balanchine Style® and Balanchine Technique® Service standards established and provided by the Trust."
Intermission
RETURN
(World Premiere September 21, 1999)
CHOREOGRAPHY: Robert Garland
MUSIC: James Brown, Alfred Ellis, Aretha Franklin, Carolyn Franklin
COSTUME DESIGN & EXECUTION: Pamela Allen-Cummings
LIGHTING: Roma Flowers
Return was choreographed for Dance Theatre of Harlem's 30th anniversary. Choreographer Robert Garland calls the ballet's style "post-modern urban neoclassicism - an attempt to fuse an urban physical sensibility and a neoclassical one." Staged for 12 dancers to songs performed by James Brown and Aretha Franklin, Return is "... a witty fusion of ballet technique and street gait whose irony toward rhythm-and- blues had the audience in stitches." (The New York Times)
"Mother Popcorn " and “Superbad” performed by James Brown
"Baby, Baby, Baby" performed by Aretha Franklin
By arrangement with Warner/Chappell Music, Inc.
“Call Me” performed by Aretha Franklin
Courtesy of Pronto Music and Fourteenth Hour Music, Inc.
"I Got the Feelin’" performed by James Brown
By arrangement with Round Hill, Inc.
Dance Theatre of Harlem
Artistic Team
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Robert Garland was a member of the Dance Theatre of Harlem Company achieving the rank of principal dancer. After creating a work for the DTH School Ensemble Arthur Mitchell invited Robert Garland to create a work for The Dance Theatre of Harlem Company and appointed him the organization’s first Resident Choreographer. Prior to becoming DTH Artistic Director he served as Director of the Dance Theatre of Harlem school.
In addition to choreographing several ballets for DTH Mr. Garland has also created works for New York City Ballet, Britain’s Royal Ballet, Oakland Ballet, and most recently San Francisco Ballet. His commercial work has included music videos commercials and short films including the children’s television show Sesame Street a Nike commercial featuring New York Yankee Derek Jeter the NAACP Image Awards a short film for designer Donna Karan and the “Charmin Cha-Cha” for Proctor and Gamble. Mr. Garland holds a Bachelor of Fine Arts Degree from the Juilliard School in New York City.
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Arthur Mitchell is known around the world for creating and sustaining Dance Theatre of Harlem, the internationally acclaimed ballet company he co-founded with Karel Shook in 1969. Following a brilliant career as a principal artist with the New York City Ballet, Mr. Mitchell dedicated his life to changing perceptions and advancing the art form of ballet through the first permanently established African American and racially diverse ballet company.
Born in New York City in 1934 Mr. Mitchell began his dance training at New York City’s High School of the Performing Arts where he won the coveted annual dance award and subsequently a full scholarship to the School of American Ballet. In 1955 he became the first male African American to become a permanent member of a major ballet company when he joined New York City Ballet. Mr. Mitchell rose quickly to the rank of Principal Dancer during his fifteen-year career with New York City Ballet and electrified audiences with his performances in a broad spectrum of roles. Upon learning of the death of Reverend Dr. Martin Luther King Jr., and with financial assistance from Mrs. Alva B. Gimbel, The Ford Foundation, and his own savings, Mr. Mitchell founded Dance Theatre of Harlem with his mentor and ballet instructor Karel Shook.
With an illustrious career that spanned over 50 years Mr. Mitchell was the recipient of the Kennedy Center Honors a National Medal of the Arts a MacArthur Foundation Fellowship the New York Living Landmark Award the Handel Medallion the NAACP Image Award and more than a dozen honorary degrees.
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Karel Shook played a key role as teacher and mentor to African American dance artists in New York in the 1950s. In addition to cofounding Dance Theatre of Harlem with Arthur Mitchell in 1969 he also was a ballet master choreographer and author. Born in 1920, Mr. Shook was a native of Renton Washington. Encouraged to study ballet at age 13, he was a protégé of Nellie Cornish and received a scholarship to the Cornish School of Allied Arts in Seattle. While his performance career was brief, he appeared on Broadway and danced with the Ballet Russe de Monte Carlo and New York City Ballet. Mr. Shook’s brief performance career led to teaching and choreographing mainly in Europe but also in New York. In the early 50s he opened Studio Arts one of the few dance studios in the city where African Americans could study ballet. Among his students were Carmen de Lavallade, Pearl Primus, Geoffrey Holder, Louis Johnson, Alvin Ailey, and Arthur Mitchell who first came to him at age 17. Mr. Shook left New York in 1959 to become the ballet master of the Dutch National Ballet where he was when his former student Arthur Mitchell asked him to return to New York to help create the Dance Theatre of Harlem. Mr. Shook was an advocate of the universality of classical ballet. His book Elements of Classical Ballet explores the development of classical ballet in such countries across the globe as China Turkey Iran Japan Cuba and Mexico. In 1980 he was awarded the United States Presidential Award for “Excellence and Dedication in Education.” played a key role as teacher and mentor to African American dance artists in New York in the 1950s. In addition to cofounding Dance Theatre of Harlem with Arthur Mitchell in 1969 he also was a ballet master choreographer and author. Born in 1920, Mr. Shook was a native of Renton Washington. Encouraged to study ballet at age 13, he was a protégé of Nellie Cornish and received a scholarship to the Cornish School of Allied Arts in Seattle. While his performance career was brief, he appeared on Broadway and danced with the Ballet Russe de Monte Carlo and New York City Ballet. Mr. Shook’s brief performance career led to teaching and choreographing mainly in Europe but also in New York. In the early 50s he opened Studio Arts one of the few dance studios in the city where African Americans could study ballet. Among his students were Carmen de Lavallade, Pearl Primus, Geoffrey Holder, Louis Johnson, Alvin Ailey, and Arthur Mitchell who first came to him at age 17. Mr. Shook left New York in 1959 to become the ballet master of the Dutch National Ballet where he was when his former student Arthur Mitchell asked him to return to New York to help create the Dance Theatre of Harlem. Mr. Shook was an advocate of the universality of classical ballet. His book Elements of Classical Ballet explores the development of classical ballet in such countries across the globe as China Turkey Iran Japan Cuba and Mexico. In 1980 he was awarded the United States Presidential Award for “Excellence and Dedication in Education.”
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A native of Cali Colombia, Juan Carlos Peñuela began dancing at the age of 12 with Incolballet, a ballet-centered secondary school. After graduation Mr. Peñuela was invited by Artistic Director Gloria Castro to join Ballet de Cali Colombia's National Company as a soloist where he performed in a variety of leading roles in contemporary works as well as classical pieces. Mr. Peñuela has danced with Ballet Arizona, Dance Theatre of Harlem Pennsylvania Ballet Maximum Dance Ballet Gamonet Chamber Dance Project, and Ballet NY.
Juan Carlos has served as guest Ballet Master and Repetiteur with Compania Colombiana de Ballet - Incolballet in Colombia, Chamber Dance Project, Lexington Ballet, The Ajkun Ballet Theatre in New York City, Alvin Ailey’s American Dance Theatre, Ena Ballet Company in Japan, & Earl Mosley's Institute of the Arts International Summer Intensive in Kent CT. In 2011 he was invited to Malaysia where he taught at their international festival, restaged Don Quixote, and coached artists from all over the world for their International Gala of the Stars.
From 2014 to 2018 Juan Carlos held the position of Ballet Master with Ballet Hispanico in New York City as well Senior Ballet Teacher for their School of Dance. He has served as a faculty member at Joffrey Ballet School, Marymount Manhattan Collage Ballet, Academy East in New York City, Alvin Ailey, and as a guest teacher at The Juilliard School and Dance Theatre of Harlem’s professional company.
Mr. Penuela holds a Romana’s Pilates certification and teaches Pilates designed for dancers. In 2011 he became certified in The American Ballet Theatre National Training Curriculum. During the summer of 2013 he was invited to teach in Italy as a faculty member of Alvin Ailey School. Since 2017 he has taught at the Central Pennsylvania Youth Ballet summer program. In 2014 and 2017 he attended the CPYB teacher’s workshop and 2017 was featured in the August edition of Dance Teacher Magazine. For the last 7 years he has been invited to Panama City as guest teacher and as adjudicator to Danza Activa Competition and the Ecuador Danza Ciad competition.
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Anna has been involved in the performing arts as both an artist and arts administrator for over twenty years. She produced Carmen de Lavallade’s solo show As I Remember It, an intimate portrait of this legendary artist. Anna previously served as the Managing Director of 651 ARTS a presenting/producing arts organization dedicated to celebrating contemporary performing arts of the African Diaspora. While at 651 ARTS she co-produced numerous projects including the highly regarded national tour of FLY: Five First Ladies of Dance.
Anna has served as a consultant providing strategic planning and fundraising guidance to various non-profit arts organizations including Urban Bush Women and the Weeksville Heritage Center. She currently serves on the board of the Association of Performing Arts Presenters. She has served as a Hub Site for the New England Foundation for the Arts’ National Dance Project grant program. After receiving her Juris Doctor from the University of Dayton School of Law Anna became the Artist Representative for the Dayton Contemporary Dance Company where she also performed for three years (DCDC2). She is a licensed attorney in the State of New York and lives in Harlem with her husband and daughter.
Casting
Subject to Change
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NYMAN STRING QUARTET NO.2
DEREK BROCKINGTON
MICAH BULLARD
KOUADIO DAVIS
ELIAS RE
DAVID WRIGHT
ARIANA DICKERSON
LINDSEY DONNELL
INGRID SILVA
DELANEY WASHINGTON
STEPHANIE RAE WILLIAMSTAKE ME WITH YOU
ALEXANDRA HUTCHINSON
KEENAN ENGLISHPAS DE DIX
KAMALA SAARA
KOUADIO DAVISAriana Dickerson
Carly Greene
Stephanie Rae Williams
Micah Bullard
Elias Re
Julian Cottrell
Ethan WilsonRETURN
Mother Popcorn
INGRID SILVA
Ariana Dickerson
Carly Greene
Alexandra Rene Jones
Lindsey Donnell
Delaney WashingtonDAVID WRIGHT
Derek Brockington
Julian Cottrell
Elias Re
Ethan Wilson
Kouadio DavisBaby, Baby, Baby
LINDSEY DONNELL
DEREK BROCKINGTONAlexandra Rene Jones
Julian Cottrell
Kamala Saara
Elias ReI Got The Feelin’
INGRID SILVA
Carly Greene
Ethan Wilson
Ariana Dickerson
Julian Cottrell
Kouadio DavisCall Me
DELANEY WASHINGTON
ELIAS RESuperbad
DAVID WRIGHT
The Company -
NYMAN STRING QUARTET NO.2
DEREK BROCKINGTON
MICAH BULLARD
KEENAN ENGLISH
ELIAS RE
DAVID WRIGHT
CARLY GREENE
ALEXANDRA RENE JONES
STEPHANIE RAE WILLIAMS
KIRA ROBINSON
KAMALA SAARA
TAKE ME WITH YOU
LINDSEY DONNEL
ELAIS RE
PAS DE DIXDELANEY WASHINGTON
DEREK BROCKINGTONLindsey Donnell
Alexandra Hutichnson
Ingrid Silva
Kira Robinson
Julian Cottrell
Elias Re
Keenan English
Ethan WilsonRETURN
Mother Popcorn
LINDSEY DONNELL
Ariana Dickerson
Carly Greene
Alexandra Rene Jones
Kamala Saara
Delaney WashingtonKOUADIO DAVIS
Derek Brockington
Julian Cottrell
Elias Re
Ethan Wilson
David WrightBaby, Baby, Baby
DELANEY WASHINGTON
DEREK BROCKINGTONAlexandra Rene Jones
Julian Cottrell
Kamala Saara
Elias ReI Got The Feelin’
LINDSEY DONNELL
DAVID WRIGHTCarly Greene
Ethan Wilson
Ariana Dickerson
Julian CottrellCall Me
KAMALA SAARA
ELIAS RESuperbad
KOUADIO DAVIS
The Company
Dance Theatre of Harlem Dancers
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Derek Brockington
Born: Chicago, IL and raised in Holland, MI. Training: Grand Rapids Ballet School, Interlochen Arts Academy, Ballet West, and Pennsylvania Ballet Summer Intensives. Professional Experience: Dance Theatre of Harlem (sixth season), Cincinnati Ballet, Grand Rapids Ballet. Repertoire includes works by Claudia Schreier, Robert Garland, Stanton Welch, George Balanchine, Annabelle Lopez Ochoa, and Darrell Grand Moultrie. Along with DTH’s Alexandra Hutchinson, he coordinates DTH social media.
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Micah Bullard
Born: Houston, TX. Training: The Dance Center of Baytown, University of Oklahoma School of Dance (BFA 2019), Jacob’s Pillow Contemporary Ballet Program, Dance Theatre of Harlem Summer Intensive, Texas Ballet Theater Summer Intensive. Professional Experience: Oklahoma City Ballet and Dance Theatre of Harlem (third season). Repertoire includes works by: Robert Garland, George Balanchine, William Forsythe, Geoffrey Holder, Helen Pickett, Nacho Duato, Annabelle Lopez Ochoa, Alejandro Cerrudo, Merce Cunningham, Amy Hall Garner, Trey McIntyre, Colin Connor, Stanton Welch, Claudia Schreier and Tiffany Rae-Fisher.
Up Next…
Alberta Ballet
Don Quixote Artistic Team
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After her fourteen-year career as a dancer with Alberta Ballet, Reilley transitioned into the role of Artistic Coordinator and has now been promoted to Rehearsal Director. She is excited to help behind the scenes and share the knowledge that she has gained while working with our organization.
Originally born in Eatonville, WA, USA, Reilley trained at both Pacific Northwest Ballet in Seattle and at Canada’s National Ballet School in Toronto. She joined Alberta Ballet as a dancer in 2008, and has since made Canada her home, becoming a dual citizen in 2019. Some of her most memorable roles with Alberta Ballet have been as Madame de Tourvel in Jean Grand-Maître’s Dangerous Liaisons, and Queen Anne in David Nixon’s Three Musketeers.
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Raven has been working in the arts for 18 years as a stitcher, costume crafter, dresser, wardrobe assistant, head of wardrobe, production director and now as a part of the Alberta Ballet artistic team. Being a local Albertan, Ravens’ work has been concentrated in Calgary, but has also taken her around our great province, across Canada, to the US and Europe in theatre, film and dance. More than half of her career has been spent at Alberta Ballet and she is so excited to be a part of the artistic team, assisting in bringing ballet magic to our community and beyond.
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Originally, from Medicine Hat, Rebecca relocated to Calgary after completing a BFA in Theatre Studies from the University of Lethbridge to pursue her passion for the arts. She has worked for various arts organizations in the city in the last 7 years and is enjoying her time working with both the artistic and production teams at Alberta Ballet. She is looking forward to what this season brings and is grateful for the opportunity to work with such a talented group of people and artists.
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Born in London, Gillian Whittingham studied at the London College of Dance and Drama and completed her training in New York with Gabriela Darvash. She was appointed ballet mistress for the Compagnia Italiana Balletto directed by Carla Fracci, and choreographed various productions directed by Beppe Menegatti: Nijinskij memorie di giovinezza, with Fracci, Maximova, Vassiliev, VuAn; Cocteau-Opium; Eleonora Duse, Isadora Duncan Adieu et Au Revoir; Cantico di San Gio- vanni; Fedra, Leggenda e Mito, Quattro eventi per Medea; Parisina.
In the same period she remounted numerous productions: Romeo and Juliet - Cranko, Fascilla, Gai; Giselle - Nunez; Il Vespro siciliano - Deane; Pas de quatre - Dolin from Perrot; Mirandolina - Ro- driguez; Esmeralda (pas de deux); Shéhérazade (pas de deux) by Fokine; Les Sylphides; Daphnis e Chloe; Petruška; Le Spectre de la rose; Clytemnestra - Hodson; Medusa - MacGregor.
In 1995 she became Artistic Director of the Olympic Dance Company founded with Mario Mattia Giorgetti, which performed in the principal italian theatres, New York and London.
For ten years she was Principal Ballet Mistress at Teatro alla Scala, Milan, where she remounted works by Balanchine, Bart, Bournmeister, Cranko, MacMillan, Nureyev, Pistoni, and worked with choreographers such as Béjart, Hynd, Makarova, Petit, Preljocaj, Forsythe, van Hoecke, Dell’Ara, Guillem.
She then remounted together with Carla Fracci at the Teatro dell’Opera di Roma Raymonda, Gisel- le, Romeo and Juliet, Cinderella and Les Sylphides and choreographed Marina Cvetaeva – Vivo nel Fuoco, and Michelangelo for the same company.
She has worked periodically with the Royal New Zealand Ballet under the direction of Francesco Ventriglia and has set Midsummer Night’s Dream, choreography Liam Scarlett in Australia and New Zealand and set Ethan Stiefel and Johan Kobborg’s Giselle and is assistant choreographer for Fran- cesco Ventriglia’s Romeo and Juliet.
At the present time she is working with Luigi Bonino, Artistic Director of the repertory of Roland Petit and has set the corps de ballet of Notre-Dame de Paris, Coppelia, Carmen, L’Arlésienne, Cop- pelia, La Chauve-Souris and Pink Floyd with the Paris Opera Ballet, Lyon Opera Ballet, Opéra Na- tional de Bordeaux, Opéra de Nice, Opera du Capitole de Toulouse, Bayerisches Staatsballett, Deu- tsche Opera am Rhein, Royal Swedish Ballet, Teatro alla Scala di Milano, Teatro dell’Opera di Roma, Astana Ballet, Teatro dell’opera di Novosibirsk, Moscow State Stanislavsky Theatre, Tokyo Ballet, K-Ballet Company Tokyo, National Ballet of China.
With the Teatro dell’Opera di Roma, she has recently set Cinderella, choreography Rudolph Nu- reyev, Paquita with Eleonora Abbagnato, assistant choreographer to Laurent Hilaire for Don Chi- sciotte, set Carla Fracci’s Giselle with Julio Bocca and assistant choreographer for Paul Chalmer’s Nutcracker.
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After a distinguished 17-year career as a professional dancer, including eight seasons with Alberta Ballet, Yoshiya Sakurai has transitioned to the role of Rehearsal Director at Alberta Ballet. His extensive experience on stage and in rehearsal studios now enriches the company from a new perspective. Originally from Niigata, Japan, Sakurai began his ballet training at Niigata Ballet School and furthered his education at Canada’s National Ballet School in Toronto. He has danced with American Repertory Ballet, Boston Ballet II, and Kansas City Ballet before joining Alberta Ballet in 2016.
Throughout his career, he has captivated audiences with his remarkable interpretations of iconic roles. At Alberta Ballet, he has performed as Puck in A Midsummer Night’s Dream, Albrecht in Giselle, and Prince Siegfried in Swan Lake. Now, as a Rehearsal Director, Sakurai brings his wealth of experience and insight to guide the next generation of dancers at Alberta Ballet.
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Born and raised in Winston-Salem, North Carolina, Brian Waldrep began his dance training at the age of seven with traditional Irish Step dancing and started studying ballet the following year. In 2003, Waldrep enrolled in the North Carolina School of the Arts under the tutelage of Kee Juan Han, Melissa Hayden, Anna-Marie Holmes, Nina Danilova, and Frank Smith. He was selected to join American Ballet Theatre’s Second Company in 2007 and toured nationally and internationally with ABT II for three years.
In 2010, Waldrep joined Houston Ballet as an apprentice. He was promoted to the Corp de Ballet in 2011 and to the rank of Demi-Soloist in 2015, dancing several soloist and principal roles for the company. Waldrep’s 9-year career with Houston Ballet included works by Stanton Welch, Ben Stevenson, George Balanchine, Christopher Bruce, John Neumeier, Sir Kenneth MacMillan, Jerome Robbins, Twyla Tharp, and Jiri Kylian, among others. Waldrep graduated cum laude with a Bachelor of Arts and Humanities from St. Edward’s University in 2016, balancing his studies with a professional ballet career at Houston Ballet.
Waldrep’s background also includes a notable tenure as a soloist with the National Ballet of Uruguay in 2019; a company dancer with the Nashville Ballet in 2021 and 2022; and as a soloist with Ballet West in Salt Lake City for the 2022-23 and 2023-24 seasons. At the invitation of Francesco Ventriglia, Waldrep became a Rehearsal Director at Alberta Ballet in July of 2024.
Alberta Ballet Artistic Support
Stage Manager | Marisa Mireau
Pilates | Jo-Anne Bunbury / Calgary Pilates
Company Teachers | Francesco Ventriglia, Yoshiya Sakurai, Brian Waldrep
Company Pianists | Marina Federov, Michael Levin,
Juanita Faas, Lorel Leal, Helena Barker
Production Team
Technical Director | Jason McLellan
Lead Fly | Kevin Green
Lead Props | Christina Hantos
Second Props | Cassandra Thorbjornsen
Lighting Lead | Chris Axford
Second Lighting | Oliver Petti
Lead Sound and Multi-Media | Dan Plumtree
Head of Wardrobe | Michele Merrells
Second Wardrobe | Karen Crocker
Second Wardrobe/Stitcher | Erin LeBaron
Cutter | Anne Nguyen
The Alberta Ballet Foundation
is proud to support
Dance Theatre of Harlem
Welcome to this evening’s performance featuring the exceptional artistry of the Dance Theatre of Harlem. At Alberta Ballet Foundation, we celebrate our province’s vibrant communities and are dedicated to creative endeavors which make the arts a vital part of Alberta’s cultural landscape. Your presence here tonight is a testament to the power of dance to unite and inspire us all.
We extend our heartfelt gratitude to our Endowment Donors for bringing performances like tonight to life. Donor contributions to our Endowment are matched through the Canada Cultural Investment Fund with the goal to grow the Endowment to $20 million, ensuring an annual disbursement of $1 million.
To learn more or make a donation, please connect with us at PaulC@AlbertaBallet.com and be a part of keeping Alberta Ballet’s legacy live.
Paul Chambers
Executive Director
Alberta Ballet Foundation
Alfred Sorensen
Chair
Alberta Ballet Foundation
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ALBERTA BALLET DONORS 2023/24 & 2024/25
Tonight we welcome you to the unique performance from the internationally recognized Dance Theatre of Harlem. As always we extend our deepest gratitude to all of our donors who support Alberta Ballet and sincerely thank you for your contributions, support and dedication. If you notice an error or omission, please accept our apologies and kindly inform us at ElizabethR@AlbertaBallet.com.
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ElizabethR@AlbertaBallet.com
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Georgina Clark +
Gerard Mcinnis +*
Gina Pylatuik +*
Gordon Sombrowski & Kevin Allen +
Gregory Stirling
Heather Klimchuk +
Ian Young & Catherine Barrett +*
Ingrid Vicas +
Jack & Donna Newton +
J’Adore Dance +
James & Allison Murphy +
James Silvius +
Jane McCaig & Richard Walker
Jenna Brenan
Jennifer & Torval Mork +
Jill Strueby +
Jillian Murdoch +
Joan Bedard +
Joanne Graham & Ian Laxdal +
Joanne S. Stalinski +
Jocelyn Beckett +
John & Susan Hokanson +
John C. Bonnycastle +
Jonathan M Reid
Joni Rynsburger +
Jose-Carlos Herrero & Nicole Herrero-Langlais +
Judy Cosco +
Julie Moylan +
Katherine Bilson +
Kathy Campbell +
Kathy J. McMillan +
Kathy Ruth Morgan +
Katie A. Hayes +
Keith & Cindy O’Neill +
Kelly Bourassa +
Kevin Stecyk +
Kristine Eidsvik
Laura Cillis & Leonard Arcovio +
Laurie Bayda +
Leigh Garvie +
Leona Gibb
Leslie & Gerald Giacomelli +
Leslie Ann O’Leary +
Leslie Dort +
Leslie Pidcock +
Liz Anne Tonken +
Lockwood Family Fund *
Lucie Thirbeck +
Marco Simonelli +
Marguerite Paulsen +
Martin & Theresa Trotter +
Maureen G. Mannix
Melanie Houley +
Melissa Padfield +
Melissa Simon +
Mitch & Susanne Williams +
Mitchell Family
Mona & Scott Rose +
Monique Courcelles +
Nicole & Lance Yanke +
Noel Papadopoulos & Darin LaBonte +
Noel Xavier +
Northern Timber Corp +
O’Hanlon Paving +
Pamela FitzGerald & Robert Arts +"
Patricia & Robert Peabody +
Patricia Moore +*
Patricia Seamans +
Peggy Garritty +
Renate Palmer *
Richard & Aurora Musto +
Robert & Jean Ann Rooney +
Robert Rosen
Roderick & Jean McKay +
Roger Mapp +
Ronald & Carole Middleton +
Roxanne McCaig +
Ruben & Heather Nelson +
Russell Ian Varnam
Sandy Evans +
Sarah Palmer & Tom Plunkett +*
Sheila Watson +
Shelley Smith +
Strathcona Resources
Susan E. Andrews +
Tara Mathison +
Tatiana A. Willumsen
Terrie Faber +
Thomas Fath & Jo-Ann +
Valerie & Tony Barlott +
Valerie MacLeod +
Valerie Seaman *
Veronica Prokop & Peter Andrekson +
Victoria Johnston & Gregory McLeod +
Vivian Manasc +
Wendy Gnenz +
Yolanda Van Wachem +As of December 31st, 2024
-
Anonymous
Alberta Ballet Foundation
Benevity
Calgary Foundation
CanadaHelps.org
Edmonton Community Foundation
Fabbrici Foundation for the Arts
GiftFunds Canada
Heather Bala Edwards Foundation
Shaw Birdies for Kids presented by Altalink
Shaw Family Foundation
Seaver Family Flow Through Fund and the Calgary Foundation
Viewpoint Foundation
Baker Tilly Catalyst
Palmer Family Foundation
Farrell Engineering Sales Inc.
Osten-Victor Fund
Callow & Associates Management Consultants Inc.
AltaLink, A Berkshire Hathaway Energy Company
A whole community is working behind-the-scenes,
helping us inspire you with dance!
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Chair
Heather Rae, HRJ Consulting (Calgary)Vice Chairs
Jana Neal, SFG Investments (Calgary)
Heather Klimchuk, Advocacy, Connections & Communciations Consulting (Edmonton)Corporate Secretary
Frank Molnar, Field Law (Calgary)Treasurer
Jana Neal, SFG Investments (Calgary) -
Denise Clarke, One Yellow Rabbit (Calgary)
Wendy Gnenz, MNP (Edmonton)
Alyssa Kim, Finning Canada (Edmonton)
Noël Papadopoulos, Papas Group (Edmonton)
Agnieszka (Aggie) Mikulski, TIPP Consulting (Edmonton)
Bob Willows, Willows Construction (2001) Ltd. (Winfield)
Noel Xavier, Edmonton Community Foundation (Edmonton)
Melissa Cook, Fasken Martineau DuMoulin LLP (Calgary)
Peggy Garritty, PG Communications Ltd. (Edmonton)
Gregory Stirling, Alberta Court of Justice (Calgary)
Sarah Palmer, LL.B, ICD.D (Calgary)
Melissa Padfield, University of Alberta (Edmonton)
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CHAIR/PRESIDENT
Alfred SorensenSECRETARY/TREASURER
Peter StapletonDIRECTOR
Heather RaeDIRECTOR
Jana NealDIRECTOR
Joni HughesDIRECTOR
Rita Tripathy
